IN SHADOWS AND DUST

Press archive

Words from
the outside.

Reviews and coverage, arranged by record. Every entry links to the original publication.

2016 · Album

Messe Noire

Review ·

Metalorgie

Shades of God · French · 15/20

The review praises the natural balance between old-school black and death metal, singling out the record’s cold atmosphere and careful construction while acknowledging that the style remains familiar and still has room to develop.

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2017 · Album

À Fleur de Peau

Review ·

Teeth of the Divine

Erik T · English

A sharply observed account of black metal played through a classic Swedish death-metal guitar tone. The review enjoys the grind-like grooves and compact attack, but notes that the unbroken barrage can blur together over the album’s full length.

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Two reviews

Voices From The Darkside

Michael Kujawska & Mirco Szymyslik · English

Two perspectives on the album’s melodic black/death metal: Kujawska focuses on its HM-2 weight, groove and lead work, while Szymyslik hears a direct, clearly produced line through Dissection, Naglfar, Unanimated, early In Flames and Necrophobic.

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Review ·

Metal Purgatory Media

Neil Andersen · English · 9.5/10

Andersen highlights the balance of Swedish death metal and black metal melody, praising the precise guitar work, varied drumming, consistent vocals and memorable riffs.

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Review

Nocturnal Hall

Stormlord · English · 6.5/10

The review responds to the Entombed, Dismember and Grave-style guitar sound, concise songs and melodic leads, while finding the sustained speed and aggression too short on dynamics and contrast across forty minutes.

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Review ·

VM-Underground

HaCeBo · English

A concise retrospective that hears old In Flames and early Necrophobic meeting the melodies of Dissection and Naglfar, with death-metal aggression and black-metal speed maintained almost without pause.

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2018 · Album

Enlightened by Darkness

Exclusive album stream ·

Decibel Magazine

Emily Bellino · English · Premiere / stream

Decibel premiered the complete album a day before release, introducing its abrupt movement between cold black metal, bass-heavy HM-2 death metal and D-beat.

View the premiere ↗

Review

Grave Noise Media formerly GBHBL

English · 8.5/10

The review values the record’s short, forceful construction, its mix of crushing rhythm and melody, and a production that keeps the guitars clear even at the album’s most intense.

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Review

Musipedia of Metal

Sean · English · 7/10

The reviewer praises the passion, production and strongest collisions of black-metal tremolo with Stockholm groove, while offering a clear reservation: the riffs can shift from striking to generic, sometimes within the same song.

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Review

Nocturnal Hall

Stormlord · English · 7.5/10

Compared with the previous album, the review finds a leaner and more comprehensible set, with better-paced shifts, stronger melodic detail and more fluent writing, though it stops short of unqualified enthusiasm.

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Review

Voices From The Darkside

Michael Kujawska · English

Kujawska describes a move toward a dirtier, more prominent HM-2 sound, supported by tight production, rough vocals and developed songwriting, while noting that the melodies sometimes sit too far back.

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Review ·

Metal Temple

Kyle Scott · English · 9/10

Scott centres the album’s dense, hostile atmosphere and the contrast between its bleak imagery and more searching lyrical themes, awarding particularly high marks for songwriting and production.

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Review ·

Teeth of the Divine

Erik T · English

The follow-up review finds the HM-2 attack more finely tuned, with added melody and death-metal weight. It sees the brief running time as a strength, while wishing the record explored its grooving Swedish death-metal passages further.

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These are original editorial summaries, not quotations. Reviews and ratings belong to their respective publications. A premiere or stream is identified separately from a review.