Reviews and coverage, arranged by record. Every entry links to the original publication.
2016 · Album
Messe Noire
Review ·
Metalorgie
Shades of God · French · 15/20
The review praises the natural balance between old-school black and death metal, singling out the record’s cold atmosphere and careful construction while acknowledging that the style remains familiar and still has room to develop.
A sharply observed account of black metal played through a classic Swedish death-metal guitar tone. The review enjoys the grind-like grooves and compact attack, but notes that the unbroken barrage can blur together over the album’s full length.
Two perspectives on the album’s melodic black/death metal: Kujawska focuses on its HM-2 weight, groove and lead work, while Szymyslik hears a direct, clearly produced line through Dissection, Naglfar, Unanimated, early In Flames and Necrophobic.
Andersen highlights the balance of Swedish death metal and black metal melody, praising the precise guitar work, varied drumming, consistent vocals and memorable riffs.
The review responds to the Entombed, Dismember and Grave-style guitar sound, concise songs and melodic leads, while finding the sustained speed and aggression too short on dynamics and contrast across forty minutes.
A concise retrospective that hears old In Flames and early Necrophobic meeting the melodies of Dissection and Naglfar, with death-metal aggression and black-metal speed maintained almost without pause.
Decibel premiered the complete album a day before release, introducing its abrupt movement between cold black metal, bass-heavy HM-2 death metal and D-beat.
The review values the record’s short, forceful construction, its mix of crushing rhythm and melody, and a production that keeps the guitars clear even at the album’s most intense.
The reviewer praises the passion, production and strongest collisions of black-metal tremolo with Stockholm groove, while offering a clear reservation: the riffs can shift from striking to generic, sometimes within the same song.
Compared with the previous album, the review finds a leaner and more comprehensible set, with better-paced shifts, stronger melodic detail and more fluent writing, though it stops short of unqualified enthusiasm.
Kujawska describes a move toward a dirtier, more prominent HM-2 sound, supported by tight production, rough vocals and developed songwriting, while noting that the melodies sometimes sit too far back.
Scott centres the album’s dense, hostile atmosphere and the contrast between its bleak imagery and more searching lyrical themes, awarding particularly high marks for songwriting and production.
The follow-up review finds the HM-2 attack more finely tuned, with added melody and death-metal weight. It sees the brief running time as a strength, while wishing the record explored its grooving Swedish death-metal passages further.
These are original editorial summaries, not quotations. Reviews and ratings belong to their respective publications. A premiere or stream is identified separately from a review.